“There are many other cop shows built around investigation, of course…”

. . . But where something like Bones or the Mentalist lets the knowing detective tie up the truth in a pretty bow at the end of (at least most) episodes, the Wire and Twin Peaks treat truth as an overwhelming excess, which expertise can provisionally master but not contain. The resulting tragedy is is in many ways the guarantor of the reality. The real does not have a happy ending.

The Hooded Utilitarian–home to the Victorian Wire piece from a few months back–has a new post up exploring some parallels between (of all shows) The Wire and Twin Peaks. Noah Berlatsky includes some provocative thoughts about the pervasive whiteness of Twin Peaks, as well as a strongly observed coda about the weirdo mundanity of Andrei Tarkovsky’s Stalker, but the genius of the piece is basically in putting the following clips back to back:

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